Work in progress

Here's a piece I haven't gotten around to finishing. However, you can see the gradual progression of the piece through the apparent visual shift found in the increasing complexity of lines and details. If anything, it evolves much like a typical traditional pencil drawing.

Interview with Jeff

Question: How did you get into digital painting?

Jeff: Some of my friends were looking over artwork online, specifically this one artist. I noticed the how detailed the work was and I was really taken in by it. After I bought a few art programs and a tablet, I was hooked.

Question: How did you learn how to use Photoshop?

Jeff: At first it was a hobby, but over time, I learned how to use the various tools found throughout the program. It took a lot of time and effort before I even became somewhat comfortable with the program.

Question: How has the Internet played a significant role in your art?

Jeff: The Internet is a good place to shop around for ideas and share work. I will submit my work online via my website and solicit for responses. Also, I go to other websites and share ideas with other artists that way.

Question: Would you say digital art has its own benefits compared to traditional media?

Jeff: Probably after the initial outlay of money for the software and equipment, it's virtually free. All it requires is just time and effort spent. Also, digital mistakes are easily erased. In conventional media, if you make a mistake, you have to start over. On top of that, it's extremely portable. Traditional media requires you to carry paint thinners, canvases, brushes, etc. which limits the mobility of the artist.

Other works

Above is an old (and poorly done) digital art piece done last year. The piece below is a traditional graphite piece from 4 years ago. Both produced using completely different tools with elements of the same drawing fundamentals present throughout each.

Mastering Realism

It could be argued that among the schools of art, realism is one of the hardest to master. Unlike its brethren styles, it requires more technical mastery than emotional application mastery. As such, the peaks of realism that fall beyond mere photorealism (i.e. hyper photorealism), requires an insane amount of experience that only comes with time and effort. For those seeking to pursue art permanently or temporarily, having an artistic drive can only get you so far in the school of realism. In order to produce hyper photorealistic works (essentially becoming a human camera/printer that is non-distinguishable from a real camera/printer), you need to have an enormous amount of talent, specifically in the realm of hand-eye coordination. Why is this so? Although many argue that those without artistic talent can achieve the same results as those with talent, this usually comes at the expense of additional time devotion. What can be mastered in 10 years through pure effort can be mastered in 2 years if talent is involved. Because hyper photorealism already exhausts talented artists of multiple decades before some mastery is achieved, for the average artist without talent, more than one lifetime would essentially be required to conquer such a style. Nonetheless, art is immensely beneficial to calming one's state of mind; it should be pursued by everyone regardless of skill level.

Digital Painting: Is it real art?

It is saddening that many critics dismiss digital art as if use of the medium signifies 'cheating' or requires little to no work. Do not be mistaken, digital painting requires the same level of skill and effort demanded by traditional pieces of work. Unlike photo-editing, which is not made from scratch, digital painting uses the same basic principles used in painting and drawing: having sufficient hand-eye coordination and control of media.

Before I became familiar with digital art, I was extremely familiar with traditional mediums. While the top picture was drawn using pencils, the bottom work was painted digitally: